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Tag Archives: Aeschylus

The Unlucky Seven Against Thebes

Seven warriors killing seven other soldiers in front of seven gates. You’d think that story would forever condemn the number to enmity. But Aeschylus’ Seven Against Thebes makes no comment on the conspicuous symmetry of the legend’s numeral element. Maybe the seven city portals warranted warriors to both attack and protect them. Unfortunately if you are seeking

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The Warring Writer: Aeschylus Tragedy

Let’s say you are considered the “father of tragedy”. Even in your own lifetime, everyone knows you have revolutionized drama and changed the theatre game. Do you think it would be mentioned on your tomb? Surely a throw away reference at least? But no, not for Aeschylus. The man who wrote between 70 and 90

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The Ages of Ancient Greece

By Ben Potter Archaic. Classical. Hellenistic. These terms are often (and quite naturally) conflated together under the generic heading of ‘classical’, or, at the very least, ‘old’. It appears that organizing history into clear, distinct eras can be a tricky business. This, of course, is more true for the Greeks than for the Romans. This

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Agamemnon and The Cursed House of Atreus

Agamemnon, was the first of a trilogy of plays (the Oresteia), performed back to back during the Great Dionysia of 458BC; it focused on two generations of ‘The Cursed House of Atreus’. Regular readers will be well-aware of the bad blood flowing through, and often out of, the members of this unfortunate dynasty. Tantalus (grandfather

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Electra – Powerful or Pathetic?

It was the fifth century Athenian tragedians who recognised the brutal power of the Electra story. Despite being little more than a footnote to Homer, this torrid tale of a sister and brother (Orestes) taking revenge their mother (Clytemnestra) for the murder of their father (Agamemnon) is rich in dramatic content. In particular, Electra herself

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