Few things impact a budding art scene like an empirical power showing off. The ruling class often invest heavily in propaganda and self grandeur, paid into the hands of the artistically gifted. They might even commission a few temples, as thanks to the gods for their new found positions. The artists, as long as they celebrate approved figures, are rewarded with extravagant commissions. Their patrons, in return, shower their favorite sculptors and painters with prestige and honor.
Pericles, the Athenian Statesman, and Alexander the Great
, the king of Macedon, were no exception. In fact, the Golden Age of Athenian art – the high Classical greek art period – is broadly defined by these exceptional gentlemen, book holders for fabricated historical boundaries.
Apparently it all started in 479 B.C. when Athens beat the Persians and founded a confederacy of allies to ensure the freedom of the Greek cities in the Aegean islands. Participants supplied either ships or funds in order to secure protection. This so-called “Delian League
”, however, didn’t last long.
Athens wanted an empire, and that’s exactly what it got. First it moved the treasury closer to home – to the imperial city of Athens itself. Then the city-state put forth the Coinage Degree, which imposed Athenian silver coinage, weights and measures on all of the allies. Any left overs from the mint went straight to Athens, and any other use was punished by death.