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Tag Archives: Euripides

Electra – Powerful or Pathetic?

It was the fifth century Athenian tragedians who recognised the brutal power of the Electra story. Despite being little more than a footnote to Homer, this torrid tale of a sister and brother (Orestes) taking revenge their mother (Clytemnestra) for the murder of their father (Agamemnon) is rich in dramatic content. In particular, Electra herself

9 Awesome Quotes from Aeschylus

Aeschylus (525 BC – 456 BC) was a playwright of ancient Greece and is considered the father of Tragedy. He wrote between 70 and 90 plays, won 28 competitions and completely altered the face of the stage… As well as being an important dramatist, he was a successful military man, having taken part in both

Top 10 Quotes from Euripides

Euripides (c. 480 – c. 406 BC) is the great Greek Tragedian of Classical Athens, along with Aeschylus and Sophocles. Some ancient scholars attributed 95 plays to him but, according to the Suda, it was 92 at most. Of these, 18 or 19 have survived more or less complete and there are also fragments, some substantial, of

Hippolytus: The Man, The Myth, The Legend

By Jocelyn Hitchcock, Contributing Writer, Classical Wisdom It sounds like something straight out of a modern –albeit extremely tragic- weekday soap opera: step-son (Hippolytus) incurs the wrath of someone higher up (Aphrodite) because he fails to honor the cultural customs associated with her; scorned woman (Aphrodite) initiates plan of revenge on step-son by having step

Euripides, The Great Greek Tragedian

By Eldar Balta, Contributing Writer, Classical Wisdom Euripides’ Early life Born on Salamis Island in 480 BC to mother Cleito and father Mnesarchus, Euripides’ destiny was foretold in a prophecy given to his father. The Oracle fated that Euripides would one day hold the “crowns of victory”. Mnesarchus did not lose any time insisting that

The Bloodless – but perhaps Most Clever – Greek Tragedy Ever Written

By Ben Potter and Anya Leonard Sophocles’ Philoctetes, first performed in 409 BC, isn’t a typical tragedy, certainly not in the more modern perception of the genre. There is no high death toll and no evil, underhand conniving that leaves characters bitter and crushed. In a word, there is no blood. In fact, as far