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Tag Archives: Sophocles

Antigone: Democracy vs. Authoritarianism

Written by Alex Barrientos, Senior Editor, Classical Wisdom In Sophocles’ Antigone there are several different struggles taking place concerning different aspects of social, ethical, and political thought. The role of the citizen, the role of the leader, the right to rule, piety, disobedience, and other issues are discussed throughout the play. Indebted as we are

Electra – Powerful or Pathetic?

It was the fifth century Athenian tragedians who recognised the brutal power of the Electra story. Despite being little more than a footnote to Homer, this torrid tale of a sister and brother (Orestes) taking revenge their mother (Clytemnestra) for the murder of their father (Agamemnon) is rich in dramatic content. In particular, Electra herself

9 Awesome Quotes from Aeschylus

Aeschylus (525 BC – 456 BC) was a playwright of ancient Greece and is considered the father of Tragedy. He wrote between 70 and 90 plays, won 28 competitions and completely altered the face of the stage… As well as being an important dramatist, he was a successful military man, having taken part in both

Sparta Vs. Athens

By Van Bryan, Contributing Writer, Classical Wisdom SPARTA Sparta, also known by its ancient name Lacedaemon in honor of their legendary founder, is often considered to have been the most dominant military presence in ancient Greece. Their infantry soldiers were said to have been among the most skilled and fearsome warriors of the ancient world.

Euripides, The Great Greek Tragedian

By Eldar Balta, Contributing Writer, Classical Wisdom Euripides’ Early life Born on Salamis Island in 480 BC to mother Cleito and father Mnesarchus, Euripides’ destiny was foretold in a prophecy given to his father. The Oracle fated that Euripides would one day hold the “crowns of victory”. Mnesarchus did not lose any time insisting that

The Bloodless – but perhaps Most Clever – Greek Tragedy Ever Written

By Ben Potter and Anya Leonard Sophocles’ Philoctetes, first performed in 409 BC, isn’t a typical tragedy, certainly not in the more modern perception of the genre. There is no high death toll and no evil, underhand conniving that leaves characters bitter and crushed. In a word, there is no blood. In fact, as far